University of Anbar - Hamid Hammad Abed

Staff Portal

Hamid Hammad Abed (Professor)

PhD in Modern Drama
Lecturer
Translation Department - Arts
hamed.abed@uoanbar.edu.iq

Biography

Name: Hamid Hammad Abed Date of Birth: 15 January 1962 Specialization: English Literature/ Modern Drama Position: Teaching Staff Member Scientific Degree: Professor Work Address: University of Anbar/ College of Arts/ Department of Translation Mobile Phone: 07810019599 E-mail:  hamed.abed@uoanbar.edu.iq

Publication

Henrik Ibsen & G. B. Shaw: New Philosophical Concept of Modern Drama     /   Journal of Anbar University  for Humanities Sciences , 2007. <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> Nostalgia for Childhood: A Study from a Romantic Perspective        <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> Ibsen's A Public Enemy: A Study of The Modern Spirit Revolt                                </td> </tr> </tbody> </table> <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> Falsehood or Truth in Dan Brown's Da Vinci Code </td> </tr> </tbody> </table> <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> The Unequivocal Spiritual Death of the American Family: A Study in Sam  Shepard's True West      </td> </tr> </tbody> </table> <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> Self-Defiance in a Paranoid Personality: Eugene O'Neill's The Emperor Jones </td> </tr> </tbody> </table> <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> The Act of Betrayal As Violation of Work Ethics in David Mamet's American Buffalo </td> </tr> </tbody> </table> <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> A Literary Psychoanalysis of Sophie Treadwell's Machinal: Another Face of a Woman </td> </tr> </tbody> </table> <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> Marginality and Social Rejection in Amiri Baraka's Slave Ship. </td> </tr> </tbody> </table> <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> Towards an Impressionistic Allegory of Alienated Protagonist in Edward  Albee’s The Zoo Story </td> </tr> </tbody> </table> A Sociopolitical Analysis of John Arden’s Serjeant Musgrave’s Dance: Futility of Being a Wacky Mutineer                 <table align="center" cellspacing="0" class="Table" style="border-collapse:collapse; border:none; width:647px"> <tbody> <tr> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> The Curse of Thanatos: A Freudian Approach to Marsha Norman’s Night, Mother. </td> </tr> </tbody> </table>        . </td> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> </td> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> </td> <td style="border-bottom:2px double black; border-left:2px double black; border-right:2px double black; border-top:2px double black; height:38px; vertical-align:top; width:246px"> </td> </tr> </tbody> </table>

Lectures

#	المادة	اسم المحاضرة	المرحلة	التحميل	مشاهدة