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Majeed U. Jadwe Al-Zubaidy (Professor)

PhD in English Literature

English - Arts
jadwe@uoanbar.edu.iq

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Biography

<p>&nbsp;<strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">Name: Dr. Majeed Uhmaid Jadwe Al-Zubaidy</span></strong></p> <p><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">Scientific Rank: Full Professor</span></strong></p> <p><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">College of Arts</span></strong></p> <p><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">DOB: June 3rd, 1970</span></strong></p> <p><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">Address: University Residential Compound T9- Ramadi- Anbar- Iraq</span></strong></p> <p><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">Academic qualifications:</span></strong></p> <p style="margin-left:36pt; margin-right:0cm"><!--[if !supportLists]--><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">1.<span style="font-family:&quot;Times New Roman&quot;; font-size:7pt">&nbsp;&nbsp;&nbsp; </span></span></strong><!--[endif]--><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">BA. English Language-College of Education-Anbar University-1992</span></strong></p> <p style="margin-left:36pt; margin-right:0cm"><!--[if !supportLists]--><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">2.<span style="font-family:&quot;Times New Roman&quot;; font-size:7pt">&nbsp;&nbsp;&nbsp; </span></span></strong><!--[endif]--><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">MA. English Literature-College of arts-Baghdad University-1996</span></strong></p> <p style="margin-left:36pt; margin-right:0cm"><!--[if !supportLists]--><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">3.<span style="font-family:&quot;Times New Roman&quot;; font-size:7pt">&nbsp;&nbsp;&nbsp; </span></span></strong><!--[endif]--><strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">PhD. English Literature-College of Arts-Baghdad University-2003</span></strong></p> <p><strong><span dir="LTR" style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">&nbsp;</span></strong></p>

Publication

<p style="text-align:left">&nbsp;<strong><span style="font-family:&quot;Arial&quot;,&quot;sans-serif&quot;; font-size:12.0pt">&nbsp;</span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">1. The Gendered Politics of Postmodern Parody in Acker&#39;s Great Expectations- Jordanian Journal of modern Languages and Literature. 2024</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">2. Narrative Closure in the Postapocalyptic Novels of Cormac McCarthy and Colson whitehead: A Comparative perspective. Dyala Journal for Humanities. 2024</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">3. O. Henry and the Arabian Nights: The Case of &quot;A Madison Square Arabian Night&quot;. Journal of Sustainable Studies. 2023</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">4. Hybridity and the Iraqi Immigrants&#39; Negotiation of Cultural Identity in Abu- Jaber&#39;s Crescent. Journal of Sustainable Studies. 2023.</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">5. &quot;To Be Female Wo-Man&quot;: Kathy Acker&#39;s Views on Gender Issues. International Journal of Humanities and Social Development Research. 2022.</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">6. A Reading of Philip Roth&rsquo;s Everyman as a Postmodern Parody. Journal of Literature and Librarianship. 2021.</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">7. Parabolic Text/Colonial Context: A Reading of John Steinbeck&#39;s The Pearl. Psychology and Education. 2021</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">8. The Contour of Sublimity in the Postmodern Age: The Exemplary Case of Jean-Francois Lyotard. Dirasat. 2020</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">9. The Postmodern Sublime in Thomas Pynchon&#39;s Gravity&#39;s Rainbow. URUK. 2020</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">10. Storytelling, Liminality &amp; the Textual Fashioning of a Post-Colonial &ldquo;Ancient Mariner&rdquo; in Mohsin Hamid&rsquo;s The Reluctant Fundamentalist. Studies in Linguistics and Literature. 2019</span></span></span></span></strong></p> <p style="text-align:justify"><strong><span style="font-size:11pt"><span style="font-family:Calibri,&quot;sans-serif&quot;"><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,&quot;serif&quot;">11. &quot;I,I have Caused a Miracle&quot;: The Textual Politics of the Fantastic in Toni Morrison&#39;s The Bluest Eye. International Journal of Linguistics, Literature and Translation. 2019</span></span></span></span></strong></p> <p style="text-align:justify">&nbsp;</p>

Lectures


# المادة اسم المحاضرة المرحلة التحميل مشاهدة