Publication

<table cellspacing="0" class="MsoTableLightListAccent1" style="border-collapse:collapse; border:none; width:701px"> <tbody> <tr> <td style="background-color:#4f81bd; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:1px solid black; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:14.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="color:white">No.</span></span></span></strong></span></span></p> </td> <td style="background-color:#4f81bd; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:top; width:220px"> <p style="text-align:center"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:14.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="color:white">Paper Title</span></span></span></strong></span></span></p> </td> <td style="background-color:#4f81bd; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:top; width:207px"> <p style="text-align:center"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:14.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="color:white">Journal</span></span></span></strong></span></span></p> </td> <td style="background-color:#4f81bd; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:top; width:176px"> <p style="text-align:center"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:14.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="color:white">Authors</span></span></span></strong></span></span></p> </td> <td style="background-color:#4f81bd; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:top; width:57px"> <p style="text-align:center"><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:14.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><span style="color:white">Year</span></span></span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>1</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">&nbsp;Reading Baraka&rsquo;s Aggressive Poetic Language in Black Art in light of Gates&rsquo; The Signifying Monkey. </span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Journal of Critical Reviews (Scopus-indexed), 7 (15), 5168-5175. doi:10.31838/jcr. 07.15.685</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Shamam Ismail Otaiwi&nbsp; &amp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dr. Mohamad Fleih Hassan</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2020</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>2</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">UNFRAMING WOMEN FIGURES IN ANNE SEXTON&iacute;S THE FIERCENESS OF FEMALE &amp;CIGARETTES AND WHISKEY AND WILD, WILD WOMEN. </span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Journal of Critical Reviews, 7(15), 5305-5311.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Nooralhuda A. Fahad &amp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Dr. Mohamad Fleih Hassan</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2020</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:27px; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>3</strong></span></span></p> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>&nbsp;</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:27px; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">INANIMATE CHARACTERS IN SAMUEL BECKETT&rsquo;S ENDGAME</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:27px; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Anbar University Journal of Languages and Literature, 29, 255-266</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:27px; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Dr. Elaff Ganim Salih &amp; Dr. Mohamad FleihHassan</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:27px; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2019</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:129px; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>4</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:129px; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Rape Talks Louder Than Guns: Feminizing Men via Wartime Rape in Judith Thompson&rsquo;s Palace of the End</span></strong></span></span></p> </td> <td style="background-color:#c6d9f1; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:129px; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Pertanika Journal of Social Sciences and Humanities (JSSH). (Scopus) Vol.26(1)March&nbsp; </span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:129px; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Elaff Ganim Salih, Hardev Kaur, Ida Baizura &amp; Mohamad Fleih Hassan</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:129px; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2018</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:24px; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>5 </strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:24px; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">David Hare&rsquo;s Stuff Happens: A Dramatic Journey of American War on Iraq</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:24px; vertical-align:top; width:207px"> <pre><span style="font-size:10pt"><span style="font-family:&quot;Courier New&quot;"><strong><span style="font-size:12.0pt"><span style="font-family:&quot;Times New Roman&quot;,serif">International Letters of Social and Humanistic Sciences, 2016. Vol. 67, pp 57-69.</span></span></strong></span></span></pre> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:24px; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Elaff Ganim Salih, Hardev Kaur, Mohamad Fleih Hassan</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:24px; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2016</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>6</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">The Failure of the Symbolic Order in Shaping the Female Subject in Adrienne Rich&rsquo;s Aunt Jennifer&rsquo;s Tigers</span></strong></span></span></p> </td> <td style="background-color:#c6d9f1; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Malaysian Journal of Languages and Linguistics. 5(1), 1-9.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Hassan, M. F., Rosli bin Talif, &amp; Hardev Kaur </span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2016</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:21px; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>&nbsp;7</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:21px; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">A Symbolic Reading of Adrienne Rich&rsquo;s &ldquo;An Unsaid Word&rdquo;</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:21px; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">International Letters of Social and Humanistic Sciences, 68, 2016, 55-60.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:21px; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Mohamad Fleih Hassan, Hardev Kaur, Manimangai Mani</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:21px; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2016</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>8</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Resurfacing Female Identity via Language in Adrienne Rich's Diving into the Wreck.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Mediterranean Journal of Social Sciences, 6(6 S2), 245. Scopus</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Hassan, M. F., bin Talif, R., &amp; Kaur, H.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2015</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:21px; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>9</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:21px; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">RE-GENDERING DISCOURSE IN ADRIENNE RICH&rsquo;S SNAPSHOTS OF A DAUGHTER-IN-LAW</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:21px; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Malaysian Journal of Languages and Linguistics, 3(1), 67-77.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:21px; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Hassan, M. F., &amp; Talif, R.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; height:21px; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2014</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>10</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Women Icons in Anne Sexton's HER KIND</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Al- Ustath(202), 67-80.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Hassan, M. F.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2012</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>11</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Man's States of Awareness in William Wordsworth's &quot;Tintern Abbey&quot;.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Al-Anbar University Journal For Humanities, 378-383, 14, 2008.&nbsp; </span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Hassan, M. F.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2008</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>12</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Death Representation in Sylvia Plath's Selected Poems</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">&nbsp;Journal of Tikrit University for the Humanities, 18, 4, 488-498.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Hassan, M. F.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2011</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>13</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Cultural Paranoia in Amirie Baraka's Somebody Blew Up America</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Anbar University Journal for Humanities&nbsp; (Special Issue), (1), 2012, 458-467.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Hassan, M. F.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2012</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>14</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Quest for an appropriate Voice in Adrienne Rich's Diving into the Wreck</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Journal of Al-Maaref University College, vol. 20, 2012, 349-371&nbsp;&nbsp; </span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Hassan, M. F.</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2012</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>15</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Re-Writing the Feminine Myth in Adrienne Rich's I Dream I'm the Death of Orpheus</span></strong></span></span></p> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Journal of Al_Anbar University for Language and Literature</span></strong></span></span></p> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2021, Volume , Issue 33, Pages 341-355</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Ruqaya Ibrahim</span></strong><strong> </strong><strong><span style="font-size:12.0pt">&nbsp;Mohammed</span></strong><strong><span dir="RTL" style="font-size:12.0pt"><span style="font-family:&quot;Simplified Arabic&quot;,serif">&amp; </span></span></strong><strong><span style="font-size:12.0pt">Mohamad Fleih Hassan</span></strong></span></span></p> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2021</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>16</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Re-Writing the Feminine Myth in Adrienne Rich's I Dream I'm the Death of Orpheus</span></strong></span></span></p> <p>&nbsp;</p> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Journal of Al_Anbar University for Language and Literature.</span></strong></span></span></p> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2021, Issue 33, Pages 341-355</span></strong></span></span></p> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Ruqaya Ibrahim Mohammed, &amp; Mohamad Fleih Hassan</span></strong></span></span></p> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2021</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>17</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">An Ecofeminist Reading of Woman Vision in Elizabeth B.</span></strong></span></span></p> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Browning&rsquo;s A Dead Rose</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Journal of Al_Anbar University for Language and Literature. 2022</span></strong></span></span></p> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Issue, 36, pp: 564-583</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Aliaa Abed Mohsen &amp; Mohamad Fleih Hassan</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2022</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>18</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Ecopsychological Reading of Paul Thwaites' Silent Spring</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Journal of Al_Anbar University for Language and Literature.</span></strong></span></span></p> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2022, Issue, 37 (p.1) pp: 598-608</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Zaina Nuhad Jumaa &amp; Mohamad Fleih Hassan</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2022</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>19</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Postmodernist Techniques of the Reader's </span></strong></span></span></p> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Engagement in Susan Howe's Hinge Picture</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Journal of the Iraqi University, 2022, issue, 57(1), pp. 710-720</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">Aisha Khalid Rasheed &amp; Mohamad Fleih Hassan</span></strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong><span style="font-size:12.0pt">2022</span></strong></span></span></p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p><span style="font-size:11pt"><span style="font-family:Calibri,sans-serif"><strong>20</strong></span></span></p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:57px"> <p>&nbsp;</p> </td> </tr> <tr> <td style="background-color:#daeef3; border-bottom:1px solid #4f81bd; border-left:1px solid #4f81bd; border-right:1px solid black; border-top:none; vertical-align:top; width:42px"> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid #4f81bd; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:220px"> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid #4f81bd; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:207px"> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid #4f81bd; border-left:none; border-right:1px solid black; border-top:none; vertical-align:top; width:176px"> <p>&nbsp;</p> </td> <td style="background-color:#daeef3; border-bottom:1px solid #4f81bd; border-left:none; border-right:1px solid #4f81bd; border-top:none; vertical-align:top; width:57px"> <p>&nbsp;</p> </td> </tr> </tbody> </table>

Lectures