البحوث العلمية

<p style="text-align:left">&nbsp;</p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp;1-Majeed Mohammed Midhin. Love and Justice: Face to face in Shakespeare&#39;s <em>King Lear&#39;s</em> Family Relationship, Diala University-Al-Fatih Journal, No. 17, 2004.Iraq.</span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp; </span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp;2- Majeed Mohammed Midhin.Innuendo as a Rhetorical Strategy in Shakespeare&#39;s <em>Othello</em>, University of Anbar, The Humanity &amp; Economic Journal, No. 4, 2004.Iraq.</span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp; </span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp;3- Majeed Mohammed Midhin.The Significance of Stage Directions and Linguistic Raparture in Arthur Miller&#39;s <em>Death of a Salesman</em>, University of Anbar, The Humanity &amp; Economic Journal, Vol.3,&nbsp; &nbsp;&nbsp;No. 10, 2007. Iraq. </span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp;</span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp;4- Majeed Mohammed Midhin.<em>Desire under the Elms</em>: Drama of the Absent Hero, University of Baghdad- Alustath Journal, No. 72, 2008.Iraq.</span></span></p> <p>&nbsp;</p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">5- Majeed Mohammed Midhin.Towards a Rhetoric of Fictionality to non-fiction Novel: A Study of Truman Capote&#39;s <em>In Cold Blood</em>, Diala University-Al-Fatih Journal, No. 36, 2008.Iraq.</span></span></p> <p>&nbsp;</p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">6- Majeed Mohammed Midhin, &ldquo;Arab Spring and Tawfiq AL-Hakim&rsquo;s Idea of the Social Responsibility of the Artist: Arabic Theatre Working Group,&rdquo; in <em>Book of Abstracts: Theatre and Stratification</em> (University of Warwick: Cambridge University Press: 2014), p. 320.</span></span></p> <p>&nbsp;</p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">7- Majeed Mohammed Midhin.Tawfik al-Hakim and the Social Responsibility of the Artist, <em>Arab Stages</em>, Volume 1, Number 2 (Spring 2015) by Martin E. Segal Theatre Centre Publications. USA.</span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">8- Majeed Mohammed Midhin.The Dilemma of the Artist in Contemporary British Theatre: &nbsp;A Theoretical Background, <em>Athens Journal of Humanities &amp; Arts</em>, Volume 2, Issue 4, October 2015. Athens.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif"><strong>&nbsp;</strong></span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">9- Majeed Mohammed Midhin. Techniques used by University Instructors in Teaching Short Story, <em>International Journal of Language and Linguistics</em>, Vol. 2, No. 3. September 2015. USA.</span></span></p> <p>&nbsp;</p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">10- Majeed Mohammed Midhin. Tom Stoppard: The Amorality of the Artist, World Academy of Science, Engineering and Technology<em>, International Journal of Social, Behavioral, Educational, Economic, Business and Industrial Engineering</em>, Vol: 9, No: 7, 2015, France.</span></span></p> <p>&nbsp;</p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">11<em>-</em> Majeed Mohammed Midhin.<em> Timberlake Wertenbaker: The Representation of Women Artists</em>, <em>A Thematic Study in Contemporary British Theatre</em>. &nbsp;A book by Majeed Mohammed Midhin and Elizabeth J. Kuti (LAMBERT Academic Publishing, 2016). </span></span></p> <p>&nbsp;</p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">12-Majeed Mohammed Midhin, &ldquo;The Representation of History: A Crisis of Censorship and the</span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">Role of the Artist in Howard Barker&rsquo;s No End of Blame and</span></span></p> <p><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">Scenes from an Execution: Political Performances Working Group &ldquo;in Book of Abstracts: Presenting The Theatrical Past (Stockholm: Cambridge University Press, 2016), </span></span></p> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:&quot;Times New Roman&quot;,serif">p. 500.</span></span></p> <p style="text-align:justify">13-Majeed Mohammed Midhin, The Healing Power of Theatre in Timberlake Wertenbaker&#39;s Our Country&#39;s Good, ARTSPRAXIS, Vol. 6, n. 2 (2019)</p> <p style="text-align:justify">14-Majeed Mohammed Midhin, Sadomasochism in Sarah Kane&#39;s Blasted, Journal of University of Shanghai for Science and Technology, Vol. 22, n. 11 (2020)</p> <p style="text-align:justify">&nbsp;</p> <p style="text-align:justify">15-Majeed Mohammed Midhin and David Clare, Memory, National Identity Formation and (Neo)Colonialism in Hannah Khalil&#39;s A Museum in Baghdad (2019), JCDE (Journal of Contemporary Drama in English), Volume 9, Issue 2, 2021.</p> <p style="text-align:justify">16-Majeed Mohammed Midhin and David Clare, National Cultural History and Transnational Political Concerns in Rasha Fadhil&#39;s Ishtar in Baghdad (2003), Studies in Theatre and Performance, Volume 41, Issue 3, 2022</p> <p style="text-align:justify">&nbsp;</p>

المحاضرات العلمية