حامد حماد عبد حمد الفهداوي (أستاذ)
دكتوراه في المسرح الانكليزي والآميركي الحديث
تدريسي
قسم الترجمة -
الآداب
hamed.abed@uoanbar.edu.iq
<p>الاسم: حامد حماد عبد حمد الفهداوي</p> <p>الاختصاص: الادب الانكليزي/ المسرح الحديث</p> <p>اللقب العلمي: استاذ</p> <p>الشهادة: دكتوراه</p> <p>مكان العمل: جامعة الانبار - كلية الاداب- قسم النرجمة</p> <p>التولد: 1962 رمادي- الانبار- العراق</p> <p> </p> <p> </p> <p> </p>
<table align="center" style="font-size:1rem"> <tbody> <tr> <td style="vertical-align:top"> <table align="right" cellspacing="0" class="Table" dir="rtl" style="background:white; border-collapse:collapse; border:none; margin-left:9px; margin-right:9px; width:746px"> <tbody> <tr> <td style="background-color:white; border-bottom:1px solid black; border-left:2px double black; border-right:2px double black; border-top:2px double black; width:746px"> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><span style="font-size:14.0pt">-1Hamid Hammad Abed & Ahmed Hameed. <strong><em>Henrik Ibsen & G. B. Shaw: New Philosophical Concept of Modern Drama</em></strong>. Journal of AL-Anbar University for Humanities Sciences. No. 5th March 2007.</span></span></span></p> <p style="text-align:left"> </p> </td> </tr> <tr> <td style="background-color:white; border-bottom:1px solid black; border-left:2px double black; border-right:2px double black; border-top:none; width:746px"> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><strong> 2</strong><span style="font-size:14.0pt">Hamid Hammad Abed & Ahmed Hameed <strong><em>Nostalgia for Childhood: A Study from a Romantic Perspective.</em></strong> Journal of AL-Anbar University for Humanities Sciences. No. 13, Oct. 2008.(ISSN 1995- 8463).</span></span></span></p> <p style="text-align:left"> </p> </td> </tr> <tr> <td style="background-color:white; border-bottom:1px solid black; border-left:2px double black; border-right:2px double black; border-top:none; width:746px"> <p style="text-align:left"> </p> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><span style="font-size:14.0pt"> 5Hamid Hammad Abed & Suhair Nafea . <strong><em>Falsehood or Truth in Dan Brown's <u>Da Vinci Code</u>.</em></strong> No. 108. 2010. (ISSN 0552-265X). p. (471-500) .</span></span></span></p> <p style="text-align:left"> </p> </td> </tr> <tr> <td style="background-color:white; border-bottom:1px solid black; border-left:2px double black; border-right:2px double black; border-top:none; width:746px"> <p style="text-align:left"> </p> <p style="text-align:left"> </p> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><span style="font-size:14.0pt"> 6Hamid Hammad Abed. <strong><em>The Unequivocal Spiritual Death of the American Family: A Study in Sam Shepard's <u>True West</u></em></strong>. Academic Accredited Journal of The College of Arts University of Baghdad. (ISSN 1994-743X), Issue no. (96) 2011.p.(162-182)</span></span></span></p> <p style="text-align:left"> </p> <p style="text-align:left"> </p> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><span style="font-size:14.0pt"> 7Hamid Hammad Abed. <strong><em>Self-Defiance in a Paranoid Personality: Eugene O'Neill's <u>The Emperor Jones</u></em></strong>. Journal of The College Of Basic Education, A Refereed Scientific Journal. (ISSN 1815- 7476). Vol.17, No. (72). 2011. p.(7-20)</span></span></span></p> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><span style="font-size:14.0pt"> 8Hamid Hammad Abed & Hana Khalief Ghani. <strong><em>The Act of Betrayal As Violation of Work Ethics in David Mamet's <u>American Buffalo</u></em></strong>. International Journal of Language and Applied Linguistics World (IJLLALW) volume 7(3), November 2014; 459-475. EISSN: 2289-2737& ISSN: 2289-3245.</span></span></span></p> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><span style="font-size:14.0pt"> 9Hamid Hammad Abed. <strong><em>A Literary Psychoanalysis of Sophie Treadwell's <u>Machinal</u>: Another Face of a Woman.</em></strong> Academic Accredited Journal of The College of Arts University of Baghdad. (ISSN 1994-743X), Issue no. (96) 2015.p.(162-182).</span></span></span></p> <p style="text-align:left"><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><span style="font-size:14.0pt">10Hamid Hammad Abed. <strong><em>Marginality and Social Rejection in Amiri Baraka's <u>Slave Ship</u></em></strong>.</span> <span style="font-size:14.0pt"><span style="color:black">I</span></span><span style="font-size:14.0pt"><span style="color:black">n</span></span><span style="font-size:14.0pt"><span style="color:black">t</span></span><span style="font-size:14.0pt"><span style="color:black">ernational Journal of Applied Linguistics & English Literature ISSN 2200-3592 (Print), ISSN 2200-3452 (Online) Vol. 5 No. 7; December 2016 [Special Issue on Language and </span></span></span></span><span style="font-size:12pt"><span style="font-family:"Times New Roman",serif"><span style="font-size:14.0pt"><span style="color:black">Literature]</span></span></span></span></p> <p style="text-align:left">A Sociopolitical Analysis of John Arden’s Serjeant Musgrave’s Dance: Futility of Being a Wacky Mutineer11-1<br /> (Al-Adab Journal – No. 134 (September) 2020 / 1442. (Prof. Hamid Hammad Abed (PhD</p> <p style="text-align:left"><span style="font-size:16px"><span style="font-family:Times New Roman,Times,serif">Hamid Hammad Abed.The Curse of Thanatos A Freudian Approach to Marsh Norman's , <em>'Night,Mother</em>.University of Sharjah Volume 17, No. 2. (B) December 2020. Journal of Humanities and Social Sciences </span></span></p> <p style="text-align:left"><span style="font-family:Times New Roman,Times,serif"><span style="font-size:14px"><span dir="rtl">Quenchless Propensity for Masculinity: A Textual Analysis of David Rabe’s <strong><em>The</em></strong> <strong><em>Basic Training of Pavlo Hummel</em></strong></span></span></span></p> <p style="text-align:left"><span style="font-family:Times New Roman,Times,serif"><span style="font-size:14px"><span dir="rtl">Journal of Anbar University for Languages and Literature. Vol.33 (Sep.2o21) ISSN=2073-6614pp: 274-285</span></span></span></p> <p style="text-align:left"><span style="font-family:Times New Roman,Times,serif"><span style="font-size:14px"><span dir="rtl">The Representation of Bereavements: A Surrealistic Analysis of Surviving Dead in Adrienne Kennedy’s She Talks to </span></span></span></p> <p style="text-align:left"><span style="font-family:Times New Roman,Times,serif"><span style="font-size:14px"><span dir="rtl">Beethoven</span></span></span></p> <p style="text-align:left"><span style="font-family:Times New Roman,Times,serif"><span style="font-size:14px"><span dir="rtl">Al-Adab Journal – Issue no (1) Vol. (144) (March) 2023 / 1444</span></span></span></p> <p style="text-align:left"> </p> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> <p> </p> <p>,</p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p>
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