مجيد احميد جدوع حمود الزبيدي (أستاذ)
دكتوراه في الادب الانكليزي
تدريسي
اللغة الانكليزية -
الآداب
jadwe@uoanbar.edu.iq
<p style="text-align:right"> <strong><span style="font-family:"Arial","sans-serif"; font-size:12.0pt">الاسم: ا.د. مجيد احميد جدوع الزبيدي</span></strong></p> <p style="text-align:right"><strong style="font-size:1rem"><span style="font-family:"Arial","sans-serif"; font-size:12.0pt">تاريخ التولد: 1970</span></strong></p> <p style="text-align:right"><strong style="font-size:1rem"><span style="font-family:"Arial","sans-serif"; font-size:12.0pt">العنوان: المجمع الجامعي ط 9 - الرمادي- محافظة الانبار- جمهورية العراق</span></strong></p> <p style="text-align:right"><strong style="font-size:1rem"><span style="font-family:"Arial","sans-serif"; font-size:12.0pt">مكان العمل: قسم اللغة الانكليزية-كلية الاداب- جامعة الانبار</span></strong></p> <p style="text-align:right"><strong style="font-size:1rem"><span style="font-family:"Arial","sans-serif"; font-size:12.0pt">الدرجة العلمية: استاذ</span></strong></p> <p style="text-align:right"><strong style="font-size:1rem"><span style="font-family:"Arial","sans-serif"; font-size:12.0pt">الايميل: jadwe@uoanbar.edu.iq </span></strong></p> <p style="text-align:right"><span style="font-family:Arial, sans-serif"><strong>رقم الموبايل: 009647808686607</strong></span></p> <p style="margin-right:18pt; text-align:right"><strong><span dir="LTR" style="font-family:"Arial","sans-serif"; font-size:12.0pt"> </span></strong></p>
<p style="text-align:left"> <strong><span style="font-family:"Arial","sans-serif"; font-size:12.0pt"> </span></strong></p> <p style="text-align:right"><strong><span style="font-family:"Arial","sans-serif"; font-size:12.0pt">البحوث المنشورة:</span></strong><span style="font-family:Arial, sans-serif"><strong> </strong></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">1. The Gendered Politics of Postmodern Parody in Acker's Great Expectations- Jordanian Journal of modern Languages and Literature. 2024</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">2. Narrative Closure in the Postapocalyptic Novels of Cormac McCarthy and Colson whitehead: A Comparative perspective. Dyala Journal for Humanities. 2024</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">3. O. Henry and the Arabian Nights: The Case of "A Madison Square Arabian Night". Journal of Sustainable Studies. 2023</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">4. Hybridity and the Iraqi Immigrants' Negotiation of Cultural Identity in Abu- Jaber's Crescent. Journal of Sustainable Studies. 2023.</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">5. "To Be Female Wo-Man": Kathy Acker's Views on Gender Issues. International Journal of Humanities and Social Development Research. 2022.</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">6. A Reading of Philip Roth’s Everyman as a Postmodern Parody. Journal of Literature and Librarianship. 2021.</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">7. Parabolic Text/Colonial Context: A Reading of John Steinbeck's The Pearl. Psychology and Education. 2021</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">8. The Contour of Sublimity in the Postmodern Age: The Exemplary Case of Jean-Francois Lyotard. Dirasat. 2020</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">9. The Postmodern Sublime in Thomas Pynchon's Gravity's Rainbow. URUK. 2020</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">10. Storytelling, Liminality & the Textual Fashioning of a Post-Colonial “Ancient Mariner” in Mohsin Hamid’s The Reluctant Fundamentalist. Studies in Linguistics and Literature. 2019</span></span></span></span></p> <p style="direction:ltr; text-align:left"><span style="font-size:11pt"><span style="font-family:Calibri,"sans-serif""><span style="font-size:12.0pt"><span style="font-family:"Times New Roman","serif"">11. "I,I have Caused a Miracle": The Textual Politics of the Fantastic in Toni Morrison's The Bluest Eye. International Journal of Linguistics, Literature and Translation. 2019</span></span></span></span></p> <p style="margin-left:36pt; margin-right:0cm; text-align:left"><strong><span dir="LTR" style="font-family:"Arial","sans-serif"; font-size:12.0pt"> </span></strong></p>